This event is General Admission Standing Room on the Floor, and Reserved in the Balcony.

TRIVIUM

For over two decades, Trivium have quietly raised the bar for heavy music by conjuring a near-magic balance between towering melodic metal infectiousness, extreme metal unpredictability, black metal scope, and a kick of rock ‘n’ roll spirit. After forming in 1999, Trivium crafted a classic in the form of Ascendancy. It concluded 2005 as KERRANG!’s “Album of the Year,” went gold in the UK, and has since surpassed global sales of 500,000 copies. Retrospectively, Metal Hammer cited it in the Top 15 of the “The Greatest Metal Albums of the Century.” They’ve earned six straight Top 25 debuts on the Billboard Top 200 and six Top 3 debuts on the Top Rock Albums Chart. One of many standouts from 2017’s The Sin and The Sentence, the single “Betrayer” garnered a GRAMMY® Award nod in the category of “Best Metal Performance.” The quartet reached new heights on 2020’s What The Dead Men Say, appearing everywhere from The New York Times, NPR, Forbes, Billboard, Tech Crunch, and Kotaku to Revolver and Alternative Press. They are the rare band who can incinerate a stage alongside Metallica and Iron Maiden and hold a captive audience of tens of thousands on a Twitch stream. Following 22 years, over 1 million units moved, hundreds of sold-out shows, and half-a-billion streams, the GRAMMY® Award-nominated Florida quartet—Matt Heavy [vocals, guitar], Corey Beaulieu [guitar], Paolo Gregoletto [bass], and Alex Bent [drums]—deliver a definitive statement cast in ironclad guitar fireworks, pummeling rhythms, lyrical provocations, and stadium-shaking choruses on their 10th full-length offering, In The Court of the Dragon [Roadrunner Records]. It springs from the past, seizes the present, and hints at the future of Trivium—and metal—all at once.

Links: Official Website | Facebook | Instagram | Twitter | Spotify

BEARTOOTH

The band Forbes declared is “inching towards a tipping point of becoming the latest arena headliner” takes a step closer with “Riptide.” BEARTOOTH's 2022 anthem sees Caleb Shomo put the pain of the past in the rearview mirror as he takes the steering wheel from fate to command his own destiny.

The furiously courageous (almost unnervingly optimistic) song of self-empowerment is a victory lap. “Riptide” memorializes the struggle with mental health and self- acceptance, which has defined so much of BEARTOOTH since its inception. Shomo started this band in his basement, playing all the instruments to challenge and purge inner darkness, purely for himself at first. As the band he assembled to play the songs traveled, they discovered how many people recognized the same demons.

As Kerrang! observed, “Caleb Shomo is one of his generation’s most remarkable songwriters.” It’s a testament to the purity of intention manifested by the multi- instrumentalist from the start.

Songs like “The Past is Dead,” “Fed Up,” and “In Between” have pushed BEARTOOTH past 850 million streams. The band’s fourth album, Below, topped the Rock, Hard Music, and Alternative charts in 2021 and found its way into Best Rock/Metal Albums of the Year lists assembled by the likes of Revolver, Rock Sound, Kerrang!, Loudwire, Knotfest, and a slew of like-minded media outlets.

Rolling Stone introduced BEARTOOTH as one of 10 New Artists You Need To Know, and they rightly described the sound as “like a nervous breakdown, usually with enough optimism to push through.” As the band grew (grabbing trophies at genre events like the Golden Gods and Loudwire Awards), the raw nerve simply became more exposed, sounding wilder yet accessible all at once.

Steadily, without pretension, the fearlessly determined and boundlessly creative Ohio-based powerhouse perfected a sound sought by a generation of bands, equal parts solitary musical confession and celebratory exorcism. Their marriage of colossally catchy choruses and post-hardcore-soaked-in-sweaty-metal is without rival. Its effect is evident by their deeply engaged audience; tours with Slipknot, Bring Me The Horizon, and A Day To Remember; and an RIAA-certified gold plaque.

BEARTOOTH is both bomb and balm. An outright refusal to suffer in silence, BEARTOOTH weaponizes radio-ready bombast to deliver raw emotion mixed with noise-rock chaos. Other bands play the “devastating riffs and catchy hooks” game, but for BEARTOOTH, this music is the difference between life and death. As easygoing, charming, and outgoing as these young men may appear, there’s an inner turmoil churning away, only satiated by the savage music they perform onstage.

Hard rock and hardcore combine in a way that’s smart, lean, melodic, and irresistible, without apology. The stadium-sized type of riffs found in Metallica and the explosive passion of The Used are equally at home. Back in Black was the first album Shomo ever bought with his own money, and the straight-to-the-point stomp of AC/DC’s masterpiece remains entrenched in the BEARTOOTH backbone. Motörhead’s fast-paced groove and “let it rip” attitude is another part of the anatomy.

Like Nine Inch Nails and early Foo Fighters, BEARTOOTH is a one-person band in the studio, written, arranged, engineered, produced, mixed, and mastered by Shomo. The 2013 Sick EP was an emotionally stranded Shomo’s “message in a bottle,” tossed into a figurative ocean. The message was received, and the throngs of like-minded people who responded became his lifeboat.

Disgusting (2014), Aggressive (2016), Disease (2018), and Below (2021) expanded those themes of desperation, each sonically getting a step closer to the magical balance between the blood, sweat, and tears of classic recordings and the smooth gloss of modern production. “Riptide” is a challenge to shake loose the confines of past trauma and self-loathing and blaze a trail toward better days ahead.

In 2022, Shomo speaks openly about his mental, physical, and emotional repair, after a lifetime of fighting depression, anxiety, and doubt. “Riptide” celebrates newfound clarity, with stark honesty. It’s a torch lighting the way for the next era of BEARTOOTH, and a promise of bigger things to come.

BEARTOOTH offers no cure. But the recovery comes in the process; the journey is the destination. As long as the dueling dichotomy of mental health anguish and cathartic creative expression remain bound together, Shomo and his mates will continue to white-knuckle the wheel. So, enjoy the ride.

Links: Official Website | Facebook | Instagram | Twitter | Spotify

MALEVOLENCE

“We wanted to write an album that encompasses our sound – but we wanted to push It further and go deeper,” says Malevolence frontman Alex Taylor. Indeed, with their third album, Malicious Intent, the Sheffield-born Malevolence has done just that. Ask anyone who has seen ‘em setting fire to tiny pressure-cooker hardcore gigs to igniting massive pits at big-stage metal festivals. Anyone who witnessed their set at Bloodstock 2021, knows that this is their reckoning hour. Malevolence has truly arrived. Formed in the north of England, Malevolence has perfected a sound of their own that swaggers like a band born in New-Fucking-Orleans while embracing the power of the riff and the brutality of the breakdown. “We made it a point to step outside our comfort zone,” says Taylor, “but also do what we started this band to do in the first place – play the metal that we want to hear.”

It's clear – Malevolence is set to explode in 2022. Already distinguishing themselves as a force to be reckoned with in an exploding UK metal scene, they’ve stepped to the front of the class with force and finesse. Their intent has never been so completely realized.

Links: Official Website | Facebook | Instagram | Twitter | Spotify

ARCHETYPES COLLIDE

Arriving in recent years with powerful anthems driven by heartfelt emotion, ARCHETYPES COLLIDE quickly established itself as a band unafraid to blur the lines between safety and innovation in heavy music. Soaring vocals, melodies, and heavy grooves swirl with passion and precision. The Arizona upstarts deliver massive hooks, soaked in atmosphere, with creative energy and catchiness.

Kyle Pastor (vocals), Brandon Baker and Jared Knister (guitars), Ky Sanders (bass), and Tyler Flamm (drums) put the same work ethic and focus into songwriting as they spent building the band from their local scene to the international stage. Unapologetic choruses and bang-your-head riffs collide. Striving for a deep connection with listeners first and foremost, songs like “My Own Device,” “What If I Fall,” “Parasite,” and “Fade Away” combine loud bombast with intimate pop. ARCHETYPES COLLIDE demands repeated listening, mixing everything from Linkin Park and Bring Me The Horizon to The Chainsmokers, and Stranger Things-style retro synths, into a unique musical identity.

A collection of singles and EPs drew a devoted fanbase and the attention of Oshie Bichar, bassist for Beartooth. Bichar enlisted his management, and the pair took Archetypes Collide under their wing. Soon after, SiriusXM’s Octane got behind songs like “Your Misery,” “Becoming What I Hate,” and “Above It All.” The band appeared on major festivals like Aftershock, Louder Than Life, and Welcome To Rockville, toured with genre giants The Amity Affliction, and crafted an ambitious self-titled debut album for Fearless Records.

Archetypes Collide spent several weeks in the first part of 2022 making their inaugural full-length, with a super team surrounding them to execute their vision. Bichar produced alongside Nick Ingram (Dayseeker, Convictions, Hawthorne Heights) at Capital House Studio in Ohio. Additional production came from Jon Eberhard (Skillet, I Prevail, Until I Wake); The Plot In You frontman Landon Tewers lent a creative hand as well. The resulting album, mixed by Jeff Dunne (Ice Nine Kills, Wage War, Make Them Suffer), captures the vibrant spirit of the 2010s-era Warped Tour with a postmodern edge. It’s a diverse but singular mission statement, brimming with authenticity and hope.

ARCHETYPES COLLIDE isn’t bound by preconceived notions or limitations. As Pastor explains simply: “Why not take every shot, in every direction, under the umbrella of hard rock and metal?”

Links: Official Website | Facebook | Instagram | Twitter | Spotify